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Realism
Coming to prominence with the nineteenth-century novel, literary realism has most often been associated with the insistence that art cannot turn away from the more sordid and harsh aspects of human existence.However, because realism is unavoidably tied up with the gnarly concept of 'reality' and 'the real', it has been one of the most widely debated terms in the New Critical Idiom series. This volume offers a clear, reader-friendly guide to debates around realism, examining:*ideas of realism in nineteenth-century French and British fiction*the twentieth-century formalist reaction against literature's status as 'truth'*realism as a democratic tool, or utopian form. This volume is vital reading for any student of literature, in particular those working on the realist novel.
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Magical Realism
Magical Realism is the essential introduction to this often complex area and guides students through the use and origins of terms in art, literature and film.It differentiates the concept from other terms and genres and gives an overview of the geographical and cultural range of the fiction. This new edition has been fully revised and expanded throughout to include: engagement with new critical work published since the first edition a more global coverage visual arts and theatre readings of authors such as Angela Carter, Toni Morrison, Salman Rushdie, Gabriel Garcia Marquez and films such as Pan’s Labyrinth a new chapter on Postcolonialism. This comprehensive and accessible guide is the ideal starting point for students of literature, film and television studies.
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Magical Realism
Magical Realism is the essential introduction to this often complex area and guides students through the use and origins of terms in art, literature and film.It differentiates the concept from other terms and genres and gives an overview of the geographical and cultural range of the fiction. This new edition has been fully revised and expanded throughout to include: engagement with new critical work published since the first edition a more global coverage visual arts and theatre readings of authors such as Angela Carter, Toni Morrison, Salman Rushdie, Gabriel Garcia Marquez and films such as Pan’s Labyrinth a new chapter on Postcolonialism. This comprehensive and accessible guide is the ideal starting point for students of literature, film and television studies.
Price: 15.99 £ | Shipping*: 3.99 £ -
Socialist Realism
When Trisha Low moves west, her journey is motivated by the need to arrive “somewhere better”—someplace utopian, like revolution; or safe, like home; or even clarifying, like identity.Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia.In this book-length essay, the problem of how to account for one's life comes to the fore—sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won't find.Attempting to reconcile her desires with her radical politics, she asks: do our quests to fulfill our deepest wishes propel us forward, or keep us trapped in the rubble of our deteriorating world?
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Ethical Realism
This Element examines the many facets of ethical realism and the issues at stake in metaethical debates about it—both between realism and non-realist alternatives, and between different versions of realism itself.Starting with a minimal core characterization of ethical realism focused on claims about meaning and truth, we go on to develop a narrower and more theoretically useful conception by adding further claims about objectivity and ontological commitment.Yet even this common understanding of ethical realism captures a surprisingly heterogeneous range of views.In fact, a strong case can be made for adding several more conditions in order to arrive at a proper paradigm of realism about ethics when understood in a non-deflationary way.We then develop this more robust realism, bringing out its distinctive take on ethical objectivity and normative authority, its unique ontological commitments, and both the support for it and some challenges it faces.
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Positive Realism
Positive Realism could be seen as the "sequel" to Maurizio Ferraris' Manifesto of New Realism and Introduction to New Realism.The focus here is the other side of unamendability: a notion, described in his previous books, according to which reality is "unamendable", it cannot be corrected at will.This "resistance" of the real is what ultimately tells us that, in opposition to the claims of post-Kantian philosophy, the world is not a result of our conceptual work: if it were so, our power over reality would be much greater.Now, the often disappointing limits that the real sets against our expectations are also a resource: and this is the key point of the present book.Things exist, and therefore undoubtedly resist us, but in doing so they offer affordances, resources, opportunities. And that the greatest opportunity, which underlies all the other ones, is the fact that we share a world that is far from liquid: on the contrary, it provides the solid ground on which everything rests, starting from our happiness or unhappiness.
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Epidemiological Realism
This book examines what it means to live in an epidemiological reality, exploring the worldbuilding properties of epidemiology through the lens of critical theory, literary analysis, and visual culture.Whether we want it or not, we live in a world made of statistical correlations, risk factors, and social determinants of health, animal reservoirs and spillovers, containment strategies and curves to be flattened, prophylactic measures, and syndromic surveillance systems detecting in real-time potential outbreaks.This book uses a series of vignettes to show that we have lived in a version of that reality for quite some time now, even before the formalization of epidemiological tools and concepts at the beginning of the twentieth century.
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After Speculative Realism
Throughout the history of Heideggerian thought - a thought which surely shapes our understanding of ‘Being’ in the 20th and 21st century (as well as the history of western metaphysics in general) - there seems to be no place for what Plato, Hegel and Marx before him called ‘dialectics’.For Heidegger, the dialectical method was “a philosophical embarrassment”.Equally, for one of our more contemporary philosophers, Graham Harman, there is no appearance of the word ‘dialectic’ in his complete oeuvre.In this relatively short book, Johns and Bensusan, in the style of Derrida, looks over the absence or spectre of the signifier ‘dialectic’ in both Heidegger and Harman’s work, arguing that such a negation of the term turns out to be more of an intentional repression than any passive neglection.Rather, the editors insist that such a repression finds its way into their writing as an alternative interpretation of their core concepts.Bringing together for the first time Hegelian thought in relation to both Speculative Realism and Harman’s work, this volume markedly serves less as a Hegelian critique of such thinkers and more as a Heideggerian and Harmanian resuscitation of the dialectic in Hegel; as a realist method capable of integration into contemporary philosophy.Offering a new way of conceiving ‘dialectics’ based on recent developments in science and the most cutting edge of contemporary philosophy, this book is indispensable to anyone interested in the crossroads of contemporary strands of idealism, materialism and realism.Perhaps, in this sense, the ‘speculative’ term antecedent in both Hegel’s Speculative Philosophy and Speculative Realism can finally be reconciled in true dialectical form.
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What is the difference between poetic realism and realism?
Poetic realism and realism are both literary movements that aim to depict life as it is, but they differ in their approach and style. Realism focuses on portraying everyday life and ordinary people in a straightforward and objective manner, often without embellishment or idealization. Poetic realism, on the other hand, combines realistic elements with poetic and lyrical language, creating a more stylized and artistic representation of reality. Poetic realism often uses symbolism, metaphor, and other literary devices to convey deeper meanings and emotions, while realism tends to focus more on the surface details of everyday life.
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If you are looking for good YouTubers for beauty, fashion, and lifestyle content, some popular and highly recommended creators include Zoella, Tanya Burr, and Ingrid Nilsen. These creators consistently produce high-quality videos on makeup tutorials, fashion hauls, and lifestyle tips. Additionally, channels like Jackie Aina, Patricia Bright, and Jenn Im offer diverse perspectives and content within the beauty, fashion, and lifestyle genres.
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What is the new realism?
The new realism is a philosophical movement that emerged in the 20th century, emphasizing the importance of reality and the external world. It rejects the idea of subjective idealism and focuses on the objective existence of the world. New realists believe that reality exists independently of our perceptions and interpretations, and that it can be understood through scientific inquiry and empirical evidence. This movement seeks to provide a more accurate and comprehensive understanding of the world, challenging traditional philosophical views.
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What is realism in "Irrungen Wirrungen"?
Realism in "Irrungen Wirrungen" refers to the novel's portrayal of everyday life in 19th-century Berlin with a focus on the social and economic realities of the time. The author, Theodor Fontane, presents a detailed and accurate depiction of the struggles faced by the lower and middle classes, as well as the constraints imposed by societal norms and expectations. Through realistic characterizations and settings, Fontane captures the complexities of human relationships and the challenges of navigating a rapidly changing society.
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What are the downsides of realism?
One downside of realism is that it can lead to a pessimistic view of the world, as it often focuses on the harsh realities of life. This can lead to a lack of hope and optimism in individuals who subscribe to a strictly realist perspective. Additionally, realism can sometimes overlook the importance of imagination and creativity, as it tends to prioritize practicality and logic. Finally, realism can also be criticized for its tendency to ignore the subjective and emotional aspects of human experience, focusing solely on observable facts and evidence.
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What is magical realism in literature?
Magical realism is a literary genre that combines realistic elements with magical or fantastical elements in a way that blurs the line between reality and imagination. It often involves the presence of magical occurrences or supernatural beings in an otherwise ordinary or mundane setting. Magical realism allows authors to explore complex themes and emotions through the use of fantastical elements, creating a sense of wonder and mystery in the narrative. This genre is often associated with Latin American literature, with authors like Gabriel Garcia Marquez and Isabel Allende being prominent examples of magical realist writers.
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What do we understand by realism?
Realism is a literary and artistic movement that emerged in the 19th century, emphasizing the depiction of everyday life and the experiences of ordinary people. It sought to present the world as it is, without idealization or romanticism, and often focused on the harsh realities of life. Realist works often explore social issues, human behavior, and the complexities of relationships, and they strive for accuracy and detail in their portrayal of the world. Realism is characterized by its rejection of the fantastical and its commitment to representing the truth of human existence.
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How did realism arise in art?
Realism arose in art as a reaction against the idealized and romanticized depictions of the world that were prevalent in the 18th and early 19th centuries. Artists sought to represent the world as it truly appeared, focusing on everyday subjects and ordinary people. This movement was also influenced by the rise of photography, which provided a new standard of visual accuracy. Realist artists aimed to capture the social and political realities of their time, often addressing issues such as poverty, industrialization, and the human condition. This shift towards a more truthful and unembellished representation of the world marked a significant departure from the prevailing artistic conventions of the time.
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