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Artifice
Artifice is an exploration of the art of making. Its poems celebrate the artistry of craftsmanship: how works relate to beauty, and how they might inspire or ensnare.They consider issues of artificiality and authenticity, ‘the man-made’ and ‘the natural’.They warn of artfulness, in the sense of cunning or deception. And they wonder at the mystery of art and language, that which resolutely remains unknown or ineffable.For Artifice is as much riddle as revelation, stirring delight and discomfort as it delves into the nature of aesthetics and the creative process.How are works made and how do they make us, in turn?What worlds can be built from words? This book dwells in possibility, presenting an ambiguous space for contemplation, connection and, ideally, hope – for ‘to marvel is the beginning of knowledge’ (E.H. Gombrich).
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Artifice: A Novel
ARTIFICE is set in a near-future Singapore and takes on the challenge of what truly sentient AI might mean for humanity.It’s speculative fiction in the mould of Ishiguro’s Klara and the Sun or Le Tellier’s The Anomaly. This novel would strike a chord given ongoing uncertainty and anxiety about the role of AI. Humanity’s greatest invention could be our last. Archie’s involvement in the artificial intelligence project known as Janus was limited to routine diagnostics.But when she discovers that she and everyone else has been deceived by their creation, it launches her on a journey that will change her life — and humanity’s future.
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Conversion Machines : Apparatus, Artifice, Body
Examines how mechanisms of change and conversions harrowed and transformed early modern people and their worldsBrings forward the history of made things and the history of practices as a new way of understanding the social and political dimensions of early modern conversion (mostly religious conversion but also bodily, sexual, and machine-to-human kinds of transformation)Engenders a multidisciplinary approach to conversion as a process of change including history, art and architectural histories, literary studies, and philosophyFocuses on the 16th and 17th centuries with case studies of conversion machines that operated in England, New Spain, Italy, the Low Countries, France, and islands in the Mediterranean Develops accounts of systems and mechanisms for attracting converts, and for managing, manipulating, and staging conversions Individual chapters focus on literary works such as Hamlet, The Temple by George Herbert, and L'Isle des Hermaphrodites; works of art and architecture by Jacopo Ligozzi and Claudio de Arciniega, and thinkers such as Augustine, Descartes, and LeibnizIndividual chapters focus on spaces, movement, visions, sensory experiences, material, spiritual, and bodily transformations that are highly self-aware and inventive thingsConcludes with a pairing of philosophical chapters on what machines cannot do" and on "human conversion machines"Conversion machines are apparatuses, artfully-fashioned preparations, arrangements, and things that demonstrate processes of change.They are paradoxical things at once intent on verifying what was invisible, uncertain, and even unknowable, while also acting as sowers of dissimulation.The book does not seek to mechanize conversion. In many ways, conversion and the transformation of the convert will remain ineffable.But we maintain that conversion of all kinds must unfold in ecologies that include politics, law, religious practice, the arts, and the material and corporeal realms.Shifting the focus from subjectivity toward the operations of governments, institutions, artifices, and the body, the contributors to the volume consider how early moderns suffered under the mechanisms of conversion, sometimes were able to realize themselves by dint of being caught up in the machinery of sovereignty, invented scores of new, purpose-built conversional instruments, and experienced forms of radical transformation in their own bodies. "
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Conversion Machines : Apparatus, Artifice, Body
Conversion machines are apparatuses, artfully-fashioned preparations, arrangements and things that demonstrate processes of change.They are paradoxical at once intent on verifying what was invisible, uncertain and even unknowable, while also acting as sowers of dissimulation. This study does not seek to mechanise conversion. In many ways, conversion and the transformation of the convert will remain ineffable.Instead, this collection maintains that conversion of all kinds must unfold in ecologies that include politics, law, religious practice, the arts and the material and corporeal realms.Shifting the focus from subjectivity toward the operations of governments, institutions, artifices and the body, contributors consider how early modern Europeans suffered under the mechanisms of conversion, how they were sometimes able to realise themselves by dint of being caught up in the machinery of sovereignty, how they invented scores of new, purpose-built conversional instruments and how they experienced forms of radical transformation in their own bodies.
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Hobbes and the Artifice of Eternity
Thomas Hobbes argues that the fear of violent death is the most reliable passion on which to found political society.His role in shaping the contemporary view of religion and honor in the West is pivotal, yet his ideas are famously riddled with contradictions.In this breakthrough study, McClure finds evidence that Hobbes' apparent inconsistencies are intentional, part of a sophisticated rhetorical strategy meant to make man more afraid of death than he naturally is.Hobbes subtly undermined two of the most powerful manifestations of man's desire for immortality: the religious belief in an afterlife and the secular desire for eternal fame through honor.McClure argues that Hobbes purposefully stirred up controversy, provoking his adversaries into attacking him and unwittingly spreading his message.This study will appeal to scholars of Hobbes, political theorists, historians of early modern political thought and anyone interested in the genesis of modern Western attitudes toward mortality.
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Artifice : An astonishing French thriller with a jaw-dropping twist
'Terrific! Set in modern Paris, this literary thriller invigoratingly combines questions of identity, shenanigans in the art world, love and murder' MICHÈLE ROBERTS'A breathtaking book confirming Claire Berest's inexhaustible talent as a storyteller' Elle'Deliciously unique and unpredictable ... this novel blossoms like a poisonous flower' Le Journal du Dimanche'An astonishing thriller' LibérationAbel Bac, a police officer, has been suspended from duty for unknown reasons.Haunted by a recurring nightmare, he walks the streets of Paris hoping to lose himself in the city, but somehow, he always finds his way home.All that gives Abel comfort are the ninety-four orchids which populate his small apartment.In museums across Paris something strange is happening.A white horse appears in the library of the Pompidou Centre.Then stuffed wolves are displayed in a gallery, dressed in fine garments and drinking tea.The police are baffled and Abel, who is somehow linked to it all, is becoming more and more unnerved.Soon, the hidden darkness of his life will rise to the surface and lead him to Mila, the mysterious artist at the heart of this enigma. And then he discovers that nothing about these events is coincidental . . . Translated by Sophie Lewis.
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The Artifice of Affect : American Realist Literature and Emotional Truth
Is emotional truth a damaging literary and cultural ideal?The Artifice of Affect proposes that valuing affective authenticity risks creating a homogenized self, encouraged to comply only with accepted moral beliefs.Similarly, when emotional truth is made the primary value of literature, literary texts too often become agents of conformity.Nowhere is this risk explored more fully than in a range of American realist texts from the Cold War to the twentieth century's end.For the works of writers such as James Baldwin, Saul Bellow, John Cheever, Kathleen Collins, Paula Fox, Ralph Ellison, or Richard Yates, formulate trenchant critiques of true feeling's aesthetic and social imperatives.The arguments at the heart of this book aim to re-frame emotional processes as visceral constructions, which should not be held to the standards of static ideals of accuracy, legitimacy, or veracity.
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What's Wrong with Plastic Trees? : Artifice and Authenticity in Design
Krieger revisits the ideas of his now infamous article of some thirty years ago in Science magazine.His aim is to give an account of design, one that experienced designers will say,'Yes, That's just what it is like!' At the same time, Krieger offers an analysis of the tensions that design operates within; between perfection and contingency, between wholes and parts, between the talk we make about the world and the world itself. Krieger takes design—in architecture, landscape, interiors, engineering, and in systems and computer science—to be modeled by traditional theological and artistic problems. And here, he claims, design has traditionally been a redesign of nature.For nature is, as Durkheim would describe it, a totem.Our collective ritual devotion to it allows us to enliven or animate it, and so it may animate us as well.Curiously, much of design and discourse about it now takes place in the computer software engineering world, especially among those concerned with patterns and object- oriented programming.In developing a notion of plastic trees, Krieger probes just what could be wrong with such artifices.As he illustrates, what we call nature is almost always a product of deliberate design.It is as if people make discoveries in exploration, discoveries of places already occupied aboriginally.In essence, he asserts what we actually have is a virtual authenticity, more real than any original could possibly be—since the original was never meant to be sacralized or featured in our lives.A provocative analysis that scholars and students of architecture and planning, environmental studies, engineering and computer science will find stimulating.
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